503È£
À̵濵 / ½ÉÁ¤¿ø / What Dose 'Square' Mean to Us, the Citizens? / Hanil Visitor / Art Exhibition / »çÁø / 132~135 / Çï±â, ÇÑ°ÁÖ±³È¯¾îµµ, ȼº´ÉÇ൵º´, ÇÑ° ´Ù¸®, µµ°, µµ±¸, ½Ã°£¼º, ¿ª»ç¼º, Å×Çì¶õ·Î /
¹Ú±æ·æ / ±¹¹Î´ëÇб³ / ¹Ú±æ·æ / What Dose 'Square' Mean to Us, the Citizens? / Hanil Visitor / Column / Àι® / 26~29 / Balance, À̹ÌÀú¸®, ¹°»ó, »çȸ¼º, ÀºÀ¯, ȯÀ¯, ¾ð´ö, ¹Ù¶÷, Àå¼ÒÀÇ È¥, ºñ¿ò /
502È£
¹Ú½ÅÀÇ, ±¸¿µ¹Î, ±èÀ±È¯ / The Gwanghwamun Square: Limits and Significances / Feature 02 / Dialogue / °ÇÃà / 110~117 / Å»»ê¾÷È, ¼öºÏ, Àå¼ÒÀÇ ¿ª»ç¼º, ÆÑÅ丮, ¿¬°ü¼º, ¹®·¡µ¿, ¾ÆÆ®ÆÑÅ丮, ¿¹¼ú È°µ¿ /
±è½Âȸ, °¿øÇÊ / ¼¿ï´ëÇб³, °æ¿µÀ§Ä¡°ÇÃà»ç»ç¹«¼Ò / ±è½Âȸ / The Gwanghwamun Square: Limits and Significances / Recent Work / °ÇÃà / 40~45 / ¸®³ëº£À̼Ç, º´¿ø, À¯¸®, ÄÜÅ©¸®Æ®, ¼øȯ Æ®·¢, ¿Á»ó Á¤¿ø /
501È£
Jose Forjaz, Vitor Tomas, Joao Melo / Á¶¼¼ Æ÷ÀÚÁî ¾ÆÅ°ÅØÅ佺 / The Trace of the Past that Completes the Present / Public Pr / Feature / °ÇÃà / 116~121 / ¸ðÀáºñÅ© ¸¶ÇªÅä½Ã, ´ëÇÐ Ä·ÆÛ½º, Áö½Ä ±³·ù, ȯ°æ½Ã¼³, ¾È¶ã, Â÷Æóȸ¶û, ÃֽŰǼ³±â¼ú /