No. 254
±èÁ¤ÈÆ, äÈñ, ¹®°æµµ, ¾Æºñ°ÔÀÏ / ÀüÅë»çȸÀÇ ¹®È¿Í ¹®ÈÀû ÀüÅë / °ÇÃà±âȹ / °ÇÃà / 80~81 / ÀüÀ̰ø°£, transitional space, »õ·Î¿î º¸ÇàÃà, ÁÖ º¸ÇàÀÚÃà, ½Å°ú ±¸, °ø°ø°ú ¹Î°£, ¹®È¿Í »ó¾÷ /
No. 241
È«°¡ÀÌ / Çѱ¹ Çö´ë°ÇÃà / Çѱ¹¼ºÀÇ Àç¹ß°ß / ±âȹ³í°í / ¹®È / 93~53 / ¼¼°è ½Ã½ºÅÛ ³í¸®, ÄÚ½º¸ðÆú¸®Åº ¹®È, ¿Ã¸²ÇÈ ½ºÆåÅÍŬ, public liminality, ¿ª»çÀû µðÄܽºÆ®·°¼ð, ´ÏÈú¸®Áò±Øº¹, ¿Ã¸²ÇÈ À̳ä, ÀÚÀ¯ ±¹Á¦´ëÇÐ, DMZ /
No. 238
ÀÌ»óÇØ / Çѱ¹Çö´ë°ÇÃà : Çѱ¹¼ºÀÇ Àç¹ß°ß / °ÇÃà / 56~62 / ¼±¸¾ç½Ä ¼ö¿ëÀÇ ¹®Á¦, ±Ù´ë°ÇÃà, ¿ì¸®ÀÇ °ÇÃàÀ̾ú³ª, I.K ½ÌÄÌ: Hofgartmerrei(Æ÷Ã÷´ã), leon Krie: navona ±¤Àå, Leon Krier: º£¸¦¸° Å×°ÖÇ×, ±è¼®Ã¶: µÎ¼Õȶû, ±èÁß¾÷: ¹Ú½Ã¿ì Ä¡°úÀÇ¿ø /
No. 235
µµ³¯µå ºñ Äí½ºÇǵå / ¸ð´õ´ÏÁò : Ãß»ó¹Ì¼úÀÇ ±â¿ø (ÇÏ) / ÇØ¿ÜÁ¤º¸ / ¹Ì¼ú / 92~99 / Donald B. Kuspit, Art in Vienna, MoMa, ºñ¿£³ª ¹Ì¼ú, Áö±×¹®Æ® ÇÁ·ÎÀ̵å, ¾Æ³îµå ¼éº£¸£Å©, ·çµåºñÈ÷ ºñÆ®°Õ½´Å¸ÀÎ, ·Î¹öÆ® ¹«Áú, Ä® Å©¶ó¿ì½º, ¿¡¸£³×½ºÆ® ¸¶Èå /
¼Û¹Ì¼÷ / ¸ð´õ´ÏÁò : Ãß»ó¹Ì¼úÀÇ ±â¿ø (ÇÏ) / ƯÁý / ¹Ì¼ú / 31~47 / ¹Ì·¡ÁÖÀÇ, ¿ÃÇÇÁò(Orphism), ¼Ò¿ëµ¹ÀÌÆÄ(Vorticism), Cubo-Furtrist, Balla: °³ÀDzö(Dog on a leash, ĵ¹ö½º¿¡ À¯Ã¤, 1912), Balla: Ä®»õÀǺñ»ó(Progressive Lines +Dynamic Sequence, ĵ¹ö½º¿¡ À¯Ã¤, 1913) /